5: Da1andonly> !ban epinephrine
5: RoboHelp> Are you nuts? You can't ban a staff member!
5: Da1andonly> =((
5: Epinephrine> !ban da1andonly
5: RoboHelp> Staffer "da1andonly" has been banned for abuse.
5: Epinephrine> oh shit
im sure ppl will argue w/ me that green day and blink-182 arent pop punk and stuff but watever.. lol.. and im sure i have sum of the metal stuff is wrong bc who listens to that crap... fucking HXC SXE BICTH!
i think greenday are becoming pop-punk, i perfer there olderstuff
but am with rab, all/most bands play in different ways so its impossible to classify them all into categories so just keep it general.
I don't know half of you half as well as I should like; and I like less than half of you half as well as you deserve.
Beta Band
Groove Armada
Kruder & Dorfmeister
Morcheeba
Portishead
Thievery Corporation
Here's some info on Triphop from AMG (allmusic.com)
Yet another in a long line of plastic placeholders to attach itself to one arm or another of the U.K. post-acid house dance scene's rapidly mutating experimental underground, Trip-Hop was coined by the English music press in an attempt to characterize a new style of downtempo, jazz-, funk-, and soul-inflected experimental breakbeat music which began to emerge around in 1993 in association with labels such as Mo'Wax, Ninja Tune, Cup of Tea, and Wall of Sound. Similar to (though largely vocal-less) American hip-hop in its use of sampled drum breaks, typically more experimental, and infused with a high index of ambient-leaning and apparently psychotropic atmospherics (hence "trip"), the term quickly caught on to describe everything from Portishead and Tricky, to DJ Shadow and U.N.K.L.E., to Coldcut, Wagon Christ, and Depth Charge -- much to the chagrin of many of these musicians, who saw their music largely as an extension of hip-hop proper, not a gimmicky offshoot. One of the first commercially significant hybrids of dance-based listening music to crossover to a more mainstream audience, trip-hop full-length releases routinely topped indie charts in the U.K. and, in artists such as Shadow, Tricky, Morcheeba, the Sneaker Pimps, and Massive Attack, account for a substantial portion of the first wave of "electronica" acts to reach Stateside audiences.
Emo, Screamo, a bit of post-hardcore-ish stuff, kinda like UnderOath.
I listen to some general alt-rock like Incubus, Finger Eleven, that sort of thing, too. Thursday, Brand New, Blindside, and Dead Poetic are all good stuff as well.
Ten seconds left until midnight. Nine chances to drown ourselves in black hair dye. Eight faces turned away from the shock: seven windows and six of them were locked. Five stories falling forever and ever. Three cheers to the mirror, now there are two of us. Can we have one last dance?
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