Mark Twain had extensive knowledge of the Mississippi River and the South, and included in his works the injustice of slavery and the culture of Protestant public morality.
Perhaps the most famous southern writer is William Faulkner, who won the Nobel Prize in Literature in 1949. Faulkner brought new techniques such as stream of consciousness and complex techniques to American writings (such as in his novel As I Lay Dying).
Other well-known Southern writers include Pat Conroy, Zora Neale Hurston, Eudora Welty, Thomas Wolfe, William Styron, Flannery O'Connor, Carson McCullers, James Dickey, Willie Morris, Tennessee Williams, Truman Capote, Walker Percy, Barry Hannah, Alice Walker, Robert Penn Warren, Cormac McCarthy, John Grisham, James Agee, Hunter S. Thompson, Wendell Berry, Bobbie Ann Mason, and Harry Crews.
Possibly the most famous southern novel of the 20th century is Gone with the Wind by Margaret Mitchell, published in 1937. Another famous southern novel, To Kill a Mockingbird by Harper Lee, won the Pulitzer Prize after it was published in 1960.
The musical heritage of the South was developed by both whites and blacks, both influencing each other directly and indirectly.
The South's musical history actually starts before the Civil War, with the songs of the African slaves and the traditional folk music brought from England and Northern Ireland. Blues was developed in the rural South by African Americans at the beginning of the 20th century. In addition, gospel music, spirituals, country music, rhythm and blues, soul music, funk, rock and roll, beach music, bluegrass, jazz (including ragtime, popularized by Southerner Scott Joplin), zydeco, and Appalachian folk music were either born in the South or developed in the region.
In general, country music is based on the folk music of white Southerners, and blues and rhythm and blues is based on African American southern forms. However, whites and blacks alike have contributed to each of these genres, and there is a considerable overlap between the traditional music of blacks and whites in the South, particularly in gospel music forms. A stylish variant of country music (predominantly produced in Nashville) has been a consistent, widespread fixture of American pop since the 1950s, while insurgent forms (i.e. bluegrass) have traditionally appealed to more discerning sub-cultural and rural audiences. Blues dominated the African American music charts from the advent of modern recording until the mid-1950s, when it was supplanted by the less guttural and forlorn sounds of rock and R&B. Nevertheless, unadulterated blues (along with early rock and roll) is still the subject of reverential adoration throughout much of Europe and cult popularity in isolated pockets of the United States.
Zydeco, Cajun and swamp pop, despite having never enjoyed greater regional or mainstream popularity, still thrive throughout French Louisiana and its peripheries, such as Southeastern Texas. These unique Louisianan styles of folk music are celebrated as part of the traditional heritage of the people of Louisiana. Conversely, bluegrass music has acquired a sophisticated cachet and distinct identity from mainstream country music through the fusion recordings of artists like Bela Fleck, David Grisman, and the New Grass Revival; traditional bluegrass and Appalachian mountain music experienced a strong resurgence after the release of 2001's O Brother, Where Art Thou?.
Rock n' roll largely began in the South in the late 1940s and early 1950s. Early rock n' roll musicians from the South include Buddy Holly, Little Richard, Fats Domino, Bo Diddley, Elvis Presley, Ray Charles, James Brown, Otis Redding, Carl Perkins and Jerry Lee Lewis, among many others. Hank Williams, Willie Nelson, Waylon Jennings and Johnny Cash, while generally regarded as "country" singers, also had a significant role in the development of rock music. In the 1960s, Stax Records emerged as a leading competitor of Motown Records, laying thegroundwork for later stylistic innovations in the process.
The South has continued to produce rock music in later decades. In the 1970s, a wave of Southern rock and blues rock groups, led by The Allman Brothers Band, Lynyrd Skynyrd, ZZ Top, and 38 Special, became popular. Macon, Georgia-based Capricorn Records helped to spearhead the Southern rock movement, and was the original home to many of the genre's most famous groups. At the other end of the spectrum, along with the aforementioned Brown and Stax, New Orleans' Allen Toussaint and The Meters helped to define the funk subgenre of rhythm and blues in the 1970s.
Many who got their start in the regional show business in the South eventually banked on mainstream national and international success as well: Elvis Presley and Dolly Parton are two such examples of artists that have transcended genres.
Many of the roots of alternative rock are often considered to come from the South as well, with bands such as R.E.M., Pylon and The B-52's forever associated with the musically fertile college town of Athens, Georgia. Cities such as Austin, Knoxville, Chapel Hill, Nashville and Atlanta also have thriving indie rock and live music scenes. Austin is home to the long-running South by Southwest music and arts festival, while several influential independent music labels (Sugar Hill, Merge, Yep Rock and the now-defunct Mammoth Records) were founded in the Chapel Hill area. Several influential death metal bands have recorded albums at Morrisound Recording in Temple Terrace, Florida and the studio is considered an important touchstone in the genre's development.
There is a large underground heavy metal scene in the Southern United States. Death metal can trace some of its origins to Tampa, Florida. Bands such as Deicide, Morbid Angel, Six Feet Under, Cannibal Corpse, among others have come out of this scene. The Southern United States are also the place where sludge metal was born and it's where its pioneering acts, Eyehategod [50] and Crowbar,[51] come from;[52] as well as other notable bands of the style such as Down[53] and Corrosion of Conformity.[54] Other well known metal bands from the South include Pantera, Hellyeah, Lamb of God, and Mastodon. This has helped coined the term southern metal which is well received in the vast majority in metal circles around the world.
Recently, the spread of rap music has led to the rise of the sub-genre Dirty South. Atlanta, Houston, Memphis, Miami, and New Orleans have long been major centers of hip-hop culture.
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